There's no analogue expansion option, so it's my guess that the mixer is aimed primarily at the current crop of hardware recorders (ADAT tape or most current hard disk models) that can be fitted with digital I/O, or at computer systems with ADAT I/O. An external XLR connector box accompanies the AES-EBU interface, though no expansion cards were supplied with the review sample. The I/O expansion options are for 16-channel ADAT and TDIF, as well as eight-channel AES-EBU, with all but ADAT being connected via D-Sub multi-pin connectors. In this respect, the output arrangement is very like that of the smaller Yamaha mixers and recorders. Behringer ddx3216 software download Pc#Sample rates of 44.1kHz and 48kHz are supported while the operating firmware for the mixer is held in flash ROM so that it can be updated from a PC if necessary.Īs with all assignable digital mixers, the I/O that you see on the outside is somewhat different from the internal bussing structure, so while the console may indeed have 16 internal busses, it only has two main analogue outs, plus four more assignable outputs, unless you add some more I/O via the card slots. 24-bit Crystal converters (delta-sigma, 128x oversampling) are used throughout and the majority of the circuitry is surfacemount. Up to 128 snapshots can be saved, a snapshot comprising virtually all the console parameters other than the analogue gain settings. The console also has moving-fader automation via full-length 100mm Alps faders, snapshot automation and I/O expansion via two card slots. It also includes four onboard effects processors based on the Behringer Virtualizer algorithms. The mixer can handle up to 32 channels, it has 16 internal busses and eight aux sends as well as dynamics and gates plus four-band parametric EQ on every channel (but not the busses). Behringer's offering in this department provides a surprisingly comprehensive feature set at a startlingly low price. To make easy comparisons between two different effect variations.Ĭan a digital console at such a low price really deliver on features and audio quality?ĭespite the proliferation of computer-based studios, few of them can manage without a mixer, and in these days of recallable, resetable everything, digital mixers tend to be more attractive than their analogue counterparts. Respective Effects page and finally the LIB (library) page, where youĬan save your own effects settings. To use the channel controllers to adjust the AUX 3 send levels forįrom the Send page, press one of the keys repeatedly to display the The BPM indicator allows easy adaptation to the song tempo.Īnd to adjust the send masters. The parameters Feedback, Mix and Delay to achieve the effect you In addition, the input delay can be used for effects. Multiple microphones placed at various distances to the sound Time-induced sound deterioration, which is caused for example by The PHASE/DELAY page allows effective compensation for any run. This page also gives access to the sweepable high-pass filter.įinally, the LIB page can be used to save and recall various settings. Nel controllers allow signal processing via the four fully parametric EQīands. The graphic window complements the value display. The EQ page displays all relevant information on the currently selectedĬhannel EQ, showing you which frequencies are being processed in what Plays exactly how the signals are being processed, while the inputĪnd gain reduction level meters give you visual level control. The compressor’s characteristic curve dis. The COMP page with added graphics allows easy adjustment of theĬompressor parameters. Master sends as well as configure the four internal effects. With the keys FX 1 through FX 4 you can adjust the channel and You can use the display encoders to control the four AUX sends Press one of the AUX keys to display the AUX Sends page, where Depending on which key you select, theĬhannel controllers will perform the associated function. The blue CHANNEL CONTROL keys determine the functions of the The four fader buttons to switch between the four available layers Position plus their respective values in decimal format. The FADER page shows both mute and fader groups and the fader The fader settings correspond to the layer currently selected with Using the board with Cubase SX is a breeze and the mixer interfaces with the RME card like a dream. So here is my setup, RME HDSP9652 and two Adat expansion boards for the DDX3216.
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